Showing posts with label Divine Feminine. Show all posts
Showing posts with label Divine Feminine. Show all posts

Goddess Worship In England




How Prevalent Is Goddess Worship In England?

In Great Britain, the holy environment and the shapes of the land, sky, and sea, which are seen as her body, are powerful representations of the Goddess.

In both natural and man-made stone circles, passage burials, mounds, megaliths, and labyrinth-like structures, seekers may locate her hallowed abodes.

Those who practice goddess worship at these locations relate the megaliths and mounds to the recurring themes of birth, death, and rebirth that often represent goddess.

They contend that these enormous stones served as markers for celestial occasions like solstices and equinoxes in the heavenly realm of the Divine Feminine.

The labyrinth's meditative features allow visitors to experience a profound inner journey that leads to a relationship with the Divine, both within and outside of oneself.



Scholars suggest that the labyrinth in the Minoan palace at Knossos may have served the twin functions of housing ceremonial processions and serving as a reflection of the Mother's regenerating body.




Another contentious theory holds that Stonehenge, with its lunar and solar orientations, may have been associated with the "sacred marriage" or even the body of the Goddess, whereas Newgrange, Knowth, and Dowth, three Irish passage graves, are thought by some to be more associated with the life passages of birth and death.

Many people have new perspectives on the enormous Neolithic structures, and as a result, Goddess' language and religion are more readily understood by her supporters.


What Are The Signs Of The Divine Feminine In Glastonbury?



Glastonbury represents the legends of King Arthur, the Knights of the Round Table, and the cup of Christ as seen through conventional eyes.

Glastonbury is seen in a new light when seen through the prism of Goddess Spirituality.


As of Imbolc (February) 2002, visitors to Glastonbury may participate in the newest living tradition of worship of the Feminine Divine at the Goddess Temple in Glastonbury, in addition to seeing historical holy sites where the Goddess has been revered by our ancestors for over 5,000 years.

To ensure that anyone working with Goddess in any of her guises, including Goddess as the one primordial Goddess, will find a place of welcome, this first Goddess Temple of our modern era in the British Isles is dedicated primarily to the Lady of Avalon and secondarily to the Goddess of Ten Thousand Names.



Since June 2003, it has been acknowledged as a registered Place of Worship


The first time a holy space has been acknowledged as a place of worship that does not lay within the patriarchal religious belief systems, but instead within the arms of the Goddess, said Kathy Jones, a person connected to the temple, this is a historic occurrence.

Jones described the temple as a big violet chamber that changes its décor according to the season every six weeks in a private communication.

The Lady of Avalon emanates violet energy, which is why the backdrop vibration is violet.



The worshippers at the temple have a belief in the Great Goddess, who is the One and Many, immanent and transcendent, personal and impersonal, constant and changeable, local and global, inside and outside all of creation, and manifests herself via the seasonal cycle and the Wheel of the Year.

They contend that the Divine Feminine manifests and speaks via all of Nature, the holy landscape, as well as through visions and dreams, sensory experiences, the imagination, ritual, and prayer.

They say that no description of Goddess can ever be expressed in words.

As members of the Goddess People of Avalon, they have a reverence for the Goddess, also known as the Lady of Avalon, who manifests herself via Glastonbury's geography, mythology, and culture.

Temple priestesses known as "Melissas" are there to maintain the area, carry out rituals, and provide healing to the crowd.

The temple will be open for extended hours when money and volunteers become available.

The yearly Glastonbury Goddess Conference, which often draws up to 400 attendees, hosts larger rituals.

The inhabitants of Avalon and the neighborhood utilize the temple for courses, healings, and rituals marking all life transitions.

At addition to the Goddess, other Goddess-loving individuals may also be seen in the temple.

Public contributions are the only source of funding for the temple.

It would be a pity to skip a few additional Goddess-related landmarks while in Glastonbury.

The Labyrinth of Glastonbury Tor is the first; it is a hill that rises above the surrounding area's flat terrain and is home to Saint Michael's Tower.


According to Kathy Jones, who was quoted by Liz Fisher in the Goddessing Regenerated News Journal, "The hollow hill atop Glastonbury Tor is where (the Goddess) Rhiannon rides her white horse between the realms

The seven circuit Goddess Labyrinth's course is marked by terraces that can be seen within the Tor.

Neo-Pagans often use the Tor's meandering labyrinth-like terraces as part of their internal journeys to communicate with the Goddess both within and outside of them.

There are seven circuit labyrinths that are devoted to Goddess and may be found all throughout the ancient globe.

(Refer to France's Chartres) The curves of the scenery here in Avalon, which means the location of apples, are suggestive of the form of the swan.

The goddess Brigit is referred to as the White Swan and the First Ancestor of the Swan Clan, according to Jones, who is cited by Fisher.

With a bird's body and a snake-like neck, Brigit is the ancient Bird and Snake Goddess in one form as the White Swan.



The features of the hills that make up Glastonbury's Isle of Avalon may be seen when it emerges from the surrounding Summerland meadows, like the form of a swan in flight.







Fisher also links Brigid, or Brigit, to the curative waters of Glastonbury's Chalice Well, noting that Jones thinks Brigid's bell and bag of curative herbs are buried there.

According to a more widely accepted urban legend, Joseph of Arimathea may have buried here the cup of the Holy Grail from the Last Supper of Christ.

The Druids saw the cup as the Cauldron of Cerridwin, the Mother's womb from which her devotees would be birthed, which is another connotation for the Grail.


The vesica piscis, a well design motif, was originally a pre-Christian goddess emblem that was eventually transformed into a fish in Christianity.



It is recognized as a symbol for the union of the feminine and masculine, the yin and yang, or the point at which the conscious and unconscious come together.




It has a connection to the mandorla, sometimes known as the yoni because of its almond form.




The tombs of King Arthur and Guinevere may have been discovered on the grounds of Glastonbury Abbey, which is said to have been constructed on an ancient holy place of a Goddess.

As of right now, the Goddess Temple is accessible to the general public for prayer, ritual, meditation, and worship on Tuesdays and Saturdays from 11 a.m to 5 p.m., as well as on Fridays.

On certain days, rituals are performed in honor of the Goddess.

There are tours provided that provide a detailed herstory of the local locations.


How to reach Glastonbury?

Using a vehicle, leave London on the M3, then follow the A303 westward.

Take the directions provided to reach Glastonbury.

It takes around two hours to go straight from Heathrow Airport and three hours to travel directly from Gatwick Airport.

Take the train from Paddington to Bath, Bristol, or Taunton if you're in downtown London then go to Glastonbury via bus.

Take the train to Castle Cary and then get a cab to go the remaining distance to Glastonbury.

Twice daily National Express coaches depart from Victoria Station for Glastonbury.

You may reach the temple by writing to The Goddess Temple, The Courtyard, 2-4 High Street, Glastonbury, Somerset BA6 9DU England, or by visiting www.goddesstemple.co.uk

Prior to going, visitors should get precise instructions to the temple by contacting it.


~Kiran Atma



Goddess Worship In France



How Prevalent Was Goddess Worship In France?

Goddess has survived in quiet confidence, even though she was sometimes hidden, despite the rigors of patriarchy and the suffering of the Inquisition, which devastated many of those women and men who lived near to Goddess and her gifts of the land, animals, and the seasons

The holy geometry of architecture and stained glass, which were made by the sweat and tenacity of people who revered her, incorporates the essence of the Divine Feminine

Given that both Isis and Artemis of the Ephesians were referred to as "Our Lady," Gothic architecture and symbolism in the multitude of cathedrals that sprung up in the Middle Ages are devoted the Goddess in the guise of "Our Lady," the Virgin Mary, thus Notre Dame

Some people think Gothic cathedrals' almond-shaped lancet windows and arches, which mirror female genitalia, depict the exact qualities of female anatomy

Common images on stained glass windows with symbolism based in Goddess worship include roses, bees, and wheat

The congregation was often thought of as the Bride of Christ, and the Church itself was frequently described in feminine terms

The majority of what has been written about the Jesus of Gnostic scriptures, a proponent of the feminine and thought by many to be descended from consorts of the Goddess, would be impossible for him to recognize, much alone the Kingdom he proclaimed

The natural feminine principle persisted in the metaphorical underworld, hidden beneath the veil of the Black Madonna, and in the persona of the Virgin Mary since patriarchal faiths were unable to eradicate the people's love and yearning for it or the love and stability the Goddess offered

She may also be seen in locations in France's countryside that are linked to Mary Magdalene

The reawakened herstory is fairly obvious when seen through the lens of our pilgrimage to holy places


What Are Signs Of The Divine Feminine At Chartres?


The Chartres Cathedral has a wide range of elements and ideas that personify the Feminine Divine unlike any other single building

The location of the existing cathedral, which is devoted to the Virgin Mary, has long been revered by the Earth Mother

Druids, originally known by the name Carnute, are said to have worshiped here in the sacred grove, honing their esoteric abilities at the holy spring while being in close proximity to nature

According to legend, the indigenous tribes worshiped a goddess whose representation showed her giving birth

The place was later selected as the location for a large Christian edifice, as was the case with so many important pagan sites

Here, construction on a Romanesque cathedral began in 1020 but was abandoned when it was damaged by fire in 1194

Only the west front, south tower, and crypt were left of this building

Curiously, the Veil of the Virgin was the only part of the precious artifacts kept in this magnificent cathedral that had survived

The old church was quickly replaced with a Gothic cathedral, which was finished in in 25 years, in 1250 CE

The worshippers of the Goddess at Chartres simply started referring to her as the Virgin Mary after realizing that she was one and the same person

According to writers Anneli Rufus and Kristan Lawson, Catholic authorities came up with the phrase "prefigurations of the Virgin" to describe representations of Mary made before her birth

This is another another way in which Mary and the Goddess are assimilated

The tremendous appeal of Chartres, often referred to be the greatest of the French Gothic cathedrals, communicates to the devout who have always been attracted here

It is well known that renowned scholar and mythologist Joseph Campbell reflected on the profound effect this hallowed spot had on his psyche

A Black Virgin, the garment of the Virgin Mary, the aforementioned holy well, the labyrinth on the floor, sacred geometry, feminine architecture, and the well-known rose stained glass windows are just a few examples of the extensive array of Goddess images found there

The substantial subterranean crypt is a portion of the old pagan shrine that was on the location from the beginning and extends from below the building up

Two galleries that run side by side and Saint Lubin's vault, which dates to the ninth century, are included in the biggest crypt in France

Directly below the church nave is where the original figure of the Mother Goddess giving birth, now known as Our Lady Underground or Notre Dame de Sous-terre, may be found

The duplicate that now stands in the crypt in place of the original statue, which is said to have been destroyed during the French Revolution

She is categorized as a Black Madonna since she was carved in the Romanesque style from dark brown wood

Another of her nicknames is Our Lady of the Crypt, and she is set onto the altar of that chapel

The crypt is open for tours, but unlike in Malta, don't anticipate the guides to concentrate on the pagan origins of the well or statue

As one moves farther inside the cathedral, they come to the second Black Virgin, Notre Dame de Pilier, whose name may relate to either the 10-foot (3-m) pillar she stands on or the pillar that formerly stood in the Temple of Solomon in Jerusalem

She is only one of several Black Madonnas or Black Virgins that may be seen all across Europe

(Notable Black Madonnas may also be found at Montserrat, Spain, and LePuy, France.) Because the Madonna and Child statues depict continuity between the pagan Goddess and the Virgin Mary, as well as how the Goddess persisted in peoples' public and spiritual life via Mary, these symbols are crucial to goddess spirituality

Like the aforementioned early tribes, Mary and the Goddess are identical in the eyes of many Goddess supporters

A further layer of assimilation between the symbolism of the enthroned Egyptian Goddess Isis holding her son Horus in her lap similarly to how Mary carries the infant Christ is the acceptance by many that Jesus is the son of the Goddess

Jesus, who has been referred to as the son of Sophia, is readily integrated into the image of Horus

The name of Isis has been discovered to remain on several of these Black Virgins' painted surfaces

It's important for readers to keep in mind that Mary, Cybele, and Isis were all referred to as "Queen of Heaven" and had their sons via non-natural methods

When church authorities are questioned about the Black Madonna's black complexion, they sometimes offer the ludicrous claim that the sculptures are dark because of candle smoke soot, never acknowledging any connection to the Goddess

As subsequent site entries in this book will demonstrate, several of these monuments just "appeared" to farmers and fishermen in a magical way

Some claim that these sculptures with black complexion were brought back by Crusader warriors

There are several theories about the blackness of her complexion, with some academics suggesting that the Black and Brown Madonnas came from Africa or were related to the darker-skinned Isis and Artemis

Goddess Spirituality practitioners often use her blackness as a metaphor for the Goddess' identity being "veiled" beneath Mary's persona

Some believe that her blackness is a metaphor for the Gnosticism and alchemy she embodied, or for the unfathomable depths of Wisdom or Sophia, the dark, unknowable "knowing." When describing Chartres, scholar Margaret Starbird says that it developed into a "center of enlightenment, the center of a worship of Maria-Sophia, a goddess of knowledge." Her chthonic powers of regeneration may perhaps be linked with her blackness

Her darkness is also connected to the Grail and Mary Magdalene legends that have become part of popular culture

Whatever the particular causes of her darkness—and there were undoubtedly many—there was a rise of interest in and adoration for the Feminine, which explains why there were so many Madonnas and Cathedrals built throughout the Middle Ages

As pilgrimages to these representations of the Divine Feminine gained popularity, great craftsmen like the Templars and Freemasons focused on creating cathedrals in her honor that incorporated holy geometry into their architecture

One of these components is the spire, which has ties to the sun and moon and harmoniously unites the masculine and feminine

Sacred geometry often included this cosmological link, attributing a divine balance and harmony, not to mention the order of the celestial bodies

The design and building of Chartres, according to Starbird, were carried out by the Knights of the Temple, also known as the Knights Templar, who sought to reinstate the feminine element in medieval society

The Templars "had access to the exoteric learning of the ancient world," according to the author, "perhaps preserved in Islamic literature that members of the order met in the Middle East." Their understanding of mathematics and engineering gave rise to the Gothic architectural style, which quickly expanded over Europe between 1130 and 1250 as if on purpose

According to her, the guild that constructed Chartres was known as the Children of Solomon, which is a clear allusion to the King of Jerusalem who is believed to have penned the Song of Solomon, which serves as a metaphor for the "holy marriage." She shares an intriguing story about medieval Gypsies who thought the Notre Dame buildings in northern France were built to resemble the constellation Virgo in reverse

Prior to the Inquisition, cathedral architecture and popular culture were thriving centers for the ancient arts and sciences of astrology, alchemy, mysticism, and psychology

The images of the Virgin in stained glass, such as the rose windows connected to Mary Magdalene and the Grail stories, are imagery in which the Feminine dwells inside Chartres

Some people think that Chartres' lancet windows symbolize the feminine vulva, the womb of conception and regeneration

Thousands of pilgrims from the Middle Ages visited this location to venerate the garment and girdle that are believed to be those of the Virgin Mary

Elinor Gadon claims that Mary was dressed in the tunic when Gabriel informed her that she would become the mother of God, and that the girdle fell from her body when she was taken up into heaven during the Assumption

The 11-circuit labyrinth engraved on the church floor is the last component of Chartres to be discussed, despite the abundance of Mary-related artworks throughout the building

It is claimed to be the same size as the aforementioned rose window and is 42 feet (13 m) wide

While labyrinths were a common feature of medieval churches, this one is said to have a brass plaque at its center that features images of Theseus, the Minotaur, and Ariadne, all of whom are connected to Goddess legend from Minoan Crete (some interpret Ariadne guiding Theseus out of the labyrinth as a metaphor for rebirth)

The term labrys, which refers to the Minoan people of Crete's holy double-sided ax, is closely related to the word labyrinth, which means "House of the Double Ax." The contemplative trip within is made even longer by the presence of four seven-circuit labyrinths

The Church believed that this labyrinth either symbolized the Way of the Cross or a pilgrim's trip to Jerusalem and returned

Each individual pilgrim was obliged to walk this road on their knees, which was often used as penance

Labyrinths, which resemble swastikas in shape, have pre-Christian origins and could represent an inward journey or a return to rebirth

It might be compared to the Native American kiva's symbolic significance

There is just one path in and out of a labyrinth, unlike a maze, making it impossible to get lost

It also represents a person's trip into the afterlife, where they could have a divine encounter

It is a technique for meditation that aids in centering the mind

The spiral-shaped labyrinth sign is similar to spirals seen on the Neolithic sites of Newgrange and Malta, which represent the ideas of death and rebirth

Labyrinth walkers' "in-and-out" movements have been transformed into spiral dances, which devotees of Goddess Spirituality often include into ceremonies and celebrations (See Glastonbury, page 39)

It's interesting to note that the labyrinth is said to have indicated the entrance to Cumae's Sybil, an oracle comparable to that of Delphi and Didyma

This was a gateway to the underworld in paganism, but in the Christian setting, it was transformed into the entrance to hell


How to go to Chartres?

The famed Palace of Versailles is 20 miles (35 km) from the city of Chartres, which is located around 60 miles (97 km) southwest of Paris

If you have never been to a place as quaint as Chartres, the author suggests exploring the town after seeing the Cathedral since it is a modest and beautiful place overall

Paris, which is roughly an hour away by rail or bus, is where most visitors to Chartres arrive

The cathedral is prominent and simple to locate in the town's historical district

The railway station may be reached by foot from there with ease


What Is The Mary Magdalene Legacy In France?

Mary Magdalene has been a subject of debate for thousands of years, and people are still whispering about her today

However, some scholars are still reluctant to accept the evidence found in the recently discovered Nag Nammadi Gnostic gospels from the second century CE, which were likely omitted from the Bible for both doctrinal and political reasons

Many people are becoming aware of Mary's historical setting and how the account of her friendship with Jesus has been changed

Scholars like Karen King think it's quite likely that Jesus and Mary were married, and novelist Margaret Starbird goes even farther, arguing that the Holy Grail was Mary Magdalene's growing womb, which gave birth to the lineal descendant of Jesus in France after his death

The Church, as well as organizations like the Knights Templar and the Cathars, may have had a part in herstory, according to tantalizing and contentious evidence that has just come to light

It also suggests that Mary and Jesus and the lineage of Christ may have had hidden links

Those who hold these unconventional viewpoints are turning locations in France where the pregnant Mary is said to have fled after the crucifixion of Jesus into modern-day Mary Magdalene pilgrimage destinations

Goddess supporters see her as more than simply Jesus' wife; they see her as the holy sexuality that is sorely lacking in the patriarchal Judeo-Christian society

These locations in Provence, close to Aix-en-Provence, including Saint Maximin and Saint Vezelay

Mary and Lazarus came at Marseilles, where they reportedly started to evangelize southern Gaul

Some people think she gave birth to a daughter at this time

She was supposedly taken by angels to Aix and the Saint Maximinus oratory there when she passed away

The first time these artifacts are recorded is in 745 by the chronicler Sigebert, who records that they were relocated to Vezelay to be safe from Muslim invasion

Charles II, King of Naples, built a monastery in the location of the former Saint Maximinus in 1279, naming it "Saint Baum." While building it, he stumbled across this Mary Magdalene martyrium and the shrine dedicated to her, as well as an inscription explaining why it had been kept a secret

After being destroyed during the French Revolution, the church was rebuilt in 1814

The "real relic" of Magdalene, including her skull, is said to be in the possession of the former Saint Maximin (now formally known as "Saint Maximin-la-ste-Baume"), which is celebrated on July 22

Her skull is housed in a reliquary made of brass and gilded that dates to circa 1860

Saint Baum is a vast monastery with a central courtyard that is surrounded by rolling hills and vineyards

It also has a beautiful basilica with a Gothic apse from the fourteenth century

The basilica is built atop an old tomb that served as the burial chamber for a Roman villa that originally stood on the spot

This is the cave where, according to many, Mary spent her last hours before being buried beside Saint Maximin, the first bishop of Aix

The Magdalene's genuine remains were kept at the enormous church in Vezelay, which is halfway between Paris and Lyons, until they were transferred to Saint Maximin

The enigmatic sites of Rennes le Chateau and Saintes Maries de la Mer in southern France are on the pilgrimage route, as are the Church of La Madeleine in Paris with its exquisite depiction of Mary being carried up to heaven by angels

According to the Eastern Church, Mary Magdalene traveled to Ephesus with the Apostle John and Mary, the mother of Jesus, and died there

Leo the Wise subsequently sent Mary Magdalene's remains to Constantinople in 889

Gregory of Tours, a renowned historian of the Franks who lived from 538 to 94 CE, agreed that Mary Magdalene passed away at Ephesus

Pope Gregory the Great purposefully connected the biblical character Mary Magdalene with an unidentified prostitute in 591 CE, maybe as a political ploy to undermine female leadership within the Church, which saw intimate relationships as corrupting

The Vatican didn't make the necessary correction for 1,378 years, but it did it in 1969

Important facts, such as Mary's role and those of other early Church women leaders, had been overshadowed in the meantime

The greatest of saints, a significant Apostle to whom Jesus first appeared after his resurrection, and maybe even his wife, Mary Magdalene, has been dubbed

The following two quotations should be taken into consideration as food for thought, even if some experts refuse to acknowledge Mary Magdalene's existence and others question the validity of the evidence supporting this claim that Mary was Christ's wife

When author Karen King, a graduate of both Harvard and Claremont Graduate University, says, "Sometimes religion is presented as being fixed or stable and we must accept it or reject it, but the fact is, religious traditions and certainly Christianity among them, are very diverse and filled with possibilities," she is serving as a reminder to readers of an important truth

We must be accountable for the sort of religion we create because religion is flexible

May we all maintain an open heart and mind.


~Kiran Atma




Goddess Sophia

 



Sophia: Middle Eastern Mother Goddess 

Sophia is the Divine Feminine and the Holy Spirit of the Christian trinity in Gnostic and Judeo-Christian faiths.

She is God's voice and knowledge, and it is thought that a bit of her lives in everyone of us.

Sophia is the mother of all creation and the universe because she is God's true source of power.

The dove is her talisman.


~Kiran Atma

Goddess Freya

 



Goddess of love and battle in Norse mythology.

Freya is the maiden mistress, and she is said to be the most beautiful goddess of all.

No human or deity can stand up to her.

She is said to provide happiness in love and family relationships, as well as sex and sensuality problems.

She collects the spirits of the dead and fallen soldiers and escors them to the hereafter as the Queen of the Valkyries.

Freya, the mistress of cats, is said to be the source of all poetry.

Friday is her holy day, and thirteen is her lucky number.


~Kiran Atma



 

 

Goddess Fravashi



Spirit Guide in Persian Mythology.

"She Who Is Many" is how Fravashi is translated.

She was made up of the souls of all living things on the planet, including those yet to be born.

She aids the soul in decision-making and is generally seen as the pinnacle of intuition and humanity's divinity.

Fravashi is pure love, as well as a teacher of the virtues of holy joy.


~Kiran Atma



Goddess Fortuna

 


Fortune Goddess in Roman mythology.

Many sanctuaries in ancient Rome were dedicated to Fortuna.

She is the embodiment of good and ill luck, as well as the ruler of destiny, fortune, and divination.

Her presence has a beneficial impact on all aspects of life, and she bestows fertility on gardens and couples in love.

Fortuna is the patroness of bathhouses and is often portrayed blind and veiled.


~Kiran Atma



Goddess Fodla

 



Ireland's Sovereign Goddess.

With her sisters Banba and Eriu, Fodla makes a trio.

She is linked to agriculture and is the driving force behind the land's verdant, rolling hills.


~Kiran Atma



Goddess Flora



The Roman goddess of spring.

Flora, the goddess of flowers and springtime, is honored with dancing, singing, and drinking throughout April and early May.

She is the ruler of blooming plants and fruits, as well as the protector of vegetation against illness and decay.

She is Ceres' handmaiden and is in charge of the blooming of vegetation and the maturation of girls into women.


~Kiran Atma



Goddess Flidais



The Goddess of the woods of Ireland.

Flidais travels through the woods on a deer-drawn chariot.

She is a sexually strong goddess who seduces powerful masculine mortals.

She is a fertility goddess with many offspring, and her cow, which delivers milk to 300 people, provides plenty and sustenance.

Her hair is portrayed as long and luscious.


~Kiran Atma



 

Goddess Feronia



Harvest Goddess in Roman mythology.

Feronia reveres woodlands, rivers, and springs.

She is the protector of all things wild and fruitful, ensuring abundant harvests for those who revere her.

She guards fugitive slaves and visitors seeking freedom.

On November 15th, her feast is commemorated, when she was presented with fresh fruits and grains.


~Kiran Atma



Goddess Faumea



Polynesia's Ocean Goddess.

Faumea is a goddess of fertility, sexuality, and protection, as well as a divinity of personal limits.

She and her spouse, Tangaroa, govern the water, and the sea life and air animals are under their dominion.

Faumea's vaginal eels protect her against unwelcome approaches, and she taught her husband how to properly lure them out.


~Kiran Atma