Showing posts with label Mesopotamian Goddess. Show all posts
Showing posts with label Mesopotamian Goddess. Show all posts

Goddess Shamhat

 



Shamhat: Mesopotamian erotic goddess.

Shamhat, the High Priestess of Inanna who reigns over holy marriage ceremonies and sensual actions, is well-known throughout Mesopotamian society.

She wields the heavenly secrets' power and oversees puberty's physical and mental metamorphosis.

Shamhat teaches sensuality as well as the standards and etiquette expected in elite society.


~Kiran Atma

Goddess Ninsun

 



Ninsun is the Mesopotamian goddess of wisdom.

Ninsun is predominantly a Sumerian god, while some historians think she is a reincarnation of the Babylonian goddess Gula.

Her name means "Lady Wild Cow," and farmers and herders prayed to her to bless their livestock and crops.

Ninsun is portrayed as the hero's mother and mentor in the Gilgamesh Epic.

She is a dream interpreter and the custodian of knowledge.


~Kiran Atma


Goddess Ninhursag

 



Ninhursag: Great Sumerian goddess.

Ninhursag is the primal mother who formed mankind from clay, and she is revered by all Mesopotamian societies and cults.

She is associated with serpents and cows, and the milk from her breast feeds the cosmos.

She is a goddess of healing who is in charge of herbal remedies and all sorts of vegetative fertility.

Her name means "Lady of the Mountain" in English.

Ningal was born to Ninhursag and Enki in the city of Ur, where the first cities in the marshes of southern Mesopotamia were constructed entirely out of reeds without the use of nails or wood. 


~Kiran Atma


Goddess Lama

 




Lama: Mesopotamian goddess of intercession.

Lama was prayed to by the Sumerians for personal protection and development.

She is the keeper of palaces and temples, transporting messages from the gods to humans.

Regardless of society's ethical values, the Lama works for the greater good.

She seems to be a lady dressed in a long, tiered skirt.


~Kiran Atma


Goddess Hebat, Or Kheba, Or Khepat

 




Hebat (also Kheba, Khepat) was a Mesopotamian matron goddess.

Hebat was venerated by the ancient Hurrians as the wife of the storm deity Teshub.

She wields the sun's strength and light, as well as protecting women during times of conflict.

Hebat is a domesticated lady who sits on a throne or stands on a lion.

She is the embodiment of royalty and beauty.

Goddess Gula

 



Gula is the goddess of healing in Mesopotamia.

Gula is the patroness of doctors and the mother of physical, mental, and spiritual healing.

Gula is the one who brings mankind back to life after the Great Flood.

She is also a goddess of vengeance, poisoning and inflicting disease on those who have wronged others.

She is in charge of all health-related herbs and incantations.

The dog is her holy animal.

Ninsun is predominantly a Sumerian god, while some historians think she is a reincarnation of the Babylonian goddess Gula.


Goddess Astarte



Astarte is the goddess of love and battle in Mesopotamia. 


  • Astarte, like the deity Ishtar, was revered across ancient Mesopotamia. 
  • Her name literally translates to "star," and she is the moon's might. 
  • She is the all-powerful queen of the morning and evening stars, ruling over the sky and all of creation. 
  • She is the mother of all astral bodies in the cosmos and governs over the spirits of the dead. 
  • She governs passion, marriage, and sexual interactions as a love goddess, personifying a woman's body's sensuality and the strength of feminine freedom. 
  • She is the Warrior Queen in her evil side, her rage poured into war and combat triumphs. 
  • The sphinx, the dove, and the star are among her emblems.

Goddess Ashnan

 


Ashnan is the goddess of grain in Mesopotamia. 


  • Ashnan, the daughter of the Sumerian deity Enlil, is a goddess of agriculture and domesticity. 
  • She is the guardian and nurturer of rich fields, giving food and greenery to the people. 
  • Ahsnan's duty also includes providing food and clothes for Mesopotamia's gods. 
  • She's shown as a virgin with corn ears growing from her shoulders.



Goddess Amashilamma





    Sumerian fertility goddess Amashilamma. 


    • Amashilamma, is usually portrayed as a cow. 
    • Amashilamma bestowed wealth and lush fields to the Sumerians.





    Amashilama is also sometimes portrayed as a divine leech and the sister of the deity Damu, according to Mesopotamian mythology. 





    After her brother dies and goes to the underworld, their mother digs out his blood, chops it up, and feeds it to Amashilama along with a beer mixture in the hopes of resurrecting Damu. 


    Damu, however, understands he is dead after seeing their attempts and says that he is no longer in the "grass that will sprout for his mother again," nor in the "waters that will rise." 

    His mother blesses him, and Amashilama dies to join him in the afterlife, informing him that "the day that dawns for you will also dawn for me; the day you see, I will see."

    Elutil is her given name, which means "the temple (that provides) life to man." é meaning ‘house’ and lú ‘man’ meaning ‘temple’ and tìl meaning ‘life’.



    Ninazu and his wife Ningiridda had a son named Ningishzida. 


    A naccount of Ningirida and her son is one of the rare allusions to deities nursing in Mesopotamian literature. 

    Amashilama and Labarshilama were his sisters.




    Amashilama  according to the collection of laments, 'In the Desert by the Early Grass'. 



    Demons encourage Inanna to conquer the Underworld in 'Dumuzid and Geshtinanna'. 


    Rather, she surrenders Dumuzid to them. 

    Dumuzid's feet, wrists, and neck are bound in stocks, and he is tortured with hot pokers. 

    They strip him down to his underwear, perform "evil" on him, and cover his face with his own clothing. 

    Finally, Dumuzid asks Utu for assistance. 

    Utu changes Dumuzid into a half-eagle, half-snake monster, enabling him to return to Geshtinanna. 


    Dumuzid is pursued by the "seven terrible deputies of the netherworld" in The Most Bitter Cry, and while fleeing, he falls into a river. 


    He is taken into the Underworld beside an apple tree on the other bank, where everything "exists" and "does not exist," perhaps implying that they exist in insubstantial or immaterial forms.


    Damu, the "dead anointed one," is brought down to the Underworld by demons who blindfold him, bind him up, and stop him from resting, according to a collection of lamentations for Dumuzid titled In the Desert by the Early Grass. 

    Damu's mother attempts to accompany him into the Underworld, but he is now a ghost that "lies in" the winds, "in the lightnings, and in tornadoes." Damu's mother is similarly unable to consume or drink the food or water in the Underworld due to it being "bad." 

    Damu walks along the Underworld's Highway and meets a variety of ghosts. 


    He encounters the spirit of a tiny child, who informs him that the child has gone missing; the ghost of a singer offers to follow the child. 

    Damu requests that the spirits deliver a message to his mother, but they are unable to do so since they are dead, and the living are unable to hear the voices of the dead. 

    Amashilama, a heavenly leech and the sister of the deity Damu. 

    Damu dies and goes to the Underworld. Damu's mother digs out his blood and slices it up at her son's request. 


    She brings the congealed blood to Amashilama, who incorporates it into a beer concoction that Damu must consume in order to resurrect. 

    Damu, on the other hand, recognizes that he is no longer alive and asserts that he will not be found in the "grass that will grow for his mother again," nor in the "waters that will rise." 

    Amashilama dies to join Damu in the Underworld after Damu's mother blesses him. 

    "The day that dawns for you will likewise dawn for me; the day you see, I will also see," she says, alluding to how day in the world above is darkness in the Underworld.







    References And Further Reading:




    • Auset, P.B., 2009. The goddess guide: Exploring the attributes and correspondences of the divine feminine. Llewellyn Worldwide.
    • Ansky, S., 1992. The Harps that Once... In The Harps that Once.... Yale University Press.
    • Jacobsen, T., 1987. The Harps that once--: Sumerian poetry in translation. Yale University Press.
    • Shushan, G. ed., 2009. Conceptions of the afterlife in early civilizations: universalism, constructivism and near-death experience (Vol. 6). A&C Black.
    • Soares, L., 2019. Dicionário De Mitologia Mesopotâmica. Clube de Autores.