Showing posts sorted by relevance for query femininity. Sort by date Show all posts
Showing posts sorted by relevance for query femininity. Sort by date Show all posts

Goddess Parvati Or Uma

 



Parvati, also Uma: Goddess of Femininity in Hinduism.

Parvati is the Maiden element of the Triple Goddess, constituting the triad with Durga and Kali Ma.

She embodies the beauty of femininity.

Parvati is a skilled and patient seductress who uses her beauty, charm, and intellect to manipulate Shiva into teaching her the mysteries of the universe.

Artists, dancers, and poets are all patronized by her.

Parvati is frequently shown as a lovely young lady clad in green, and her name signifies "She Who Is of the Mountains." 


For more refer to my list Of Hindu, Buddhist, And Jain (South Asian) Goddesses From India, Nepal, And Tibet.


~Kiran Atma


Goddess Hathor

 




Hathor is the Egyptian goddess of love and music. 

Hathor is the goddess of beauty, riches, and the arts, and she is the personification of success and plenty.

She controls all elements of gender and femininity and is the patroness of dancers and musicians.

Hathor is a happy and joyful goddess who bestows pleasure and joy on her devotees.

She is most often worshipped with fragrant fragrances, songs, and dance routines.

She is represented as a lovely lady with cow-like ears and a sistrum in her hand.

Two mirrors and myrrh are her typical gifts.

Goddess Asherah



The renowned deity of the Middle East, Asherah. Asherah, also known as the Queen of Gods and the Ruler of Heaven, is often portrayed as a curly-haired goddess riding a holy lion while carrying flowers or serpents in her hands. 


  • She was revered throughout ancient Israel as Yahweh's spouse and is believed to have developed into the goddess Shekina, as mentioned throughout the Old Testament. 
  • Asherah, the goddess of the sea, embodies divine knowledge and ultimate femininity. 
  • Her likenesses have been discovered carved onto live trees, on altar poles, and on walking staffs. 
  • The Tree of Life, flowers, and cows are among her emblems.

Goddess Sekhmet

 



Sekhmet: Egyptian deity of punishment.

Sekhmet is known as the Eye of Ra because she is the manifestation of Ra's wrath.

Her dual position as a creative and destructive force connects her to women, as she embodies femininity's fire.

Sekhmet guards women, brings inner peace, and represents righteous rage.

She is shown as a full-figured lady with a lion's head.


~Kiran Atma

Who Is Goddess Chantico?





Chantico is Goddess of pleasure and suffering in Aztec mythology. 



Chantico, the goddess of the hearth, home, and volcanoes, bestows prosperity and stability to the household. 




She is in charge of material wealth and valuables, as well as safeguarding the house from theft and loss. 

Chantico symbolizes the duality of life, the earth, and humans; she bears the balance of happiness and sadness, pleasure and suffering. 

Her femininity and sensuous qualities, as well as her links to pleasure and suffering, have led to her adoration by people who engage BDSM sexual practices. 

Her name means "She Who Dwells in the House," and she is portrayed with a crown of cactus spikes and crimson serpents.









Goddess Juno

 




Juno is the Roman goddess's mother.

Juno, the Roman equivalent of Hera in Greek mythology, is Rome's protector and queen of the gods.

She is the queen of all types of femininity, protecting and leading young girls into maturity.

Juno, the patroness of marriage, bestows upon her devotees the ideal mate at the ideal time.

The peacock is her sacred animal, and the month of June is named after her.


~Kiran Atma


Goddesses Of Abstract Qualities


Where abstract qualities are associated with goddesses, the goddess might appear as the embodiment of the quality, or she may be envisioned as bestowing it upon favored humans. 

Beauty, love, wisdom, and justice are commonly associated with goddesses, as is the control of fate or destiny. 

Some of these qualities are associated with an essen tialist ‘‘femininity, while others are more typically associated with ‘‘masculinity. 

In the realm of goddesses, expectations of the social roles typically occupied by women do not always hold true. 

Even within a culture, goddesses defy gender stereotypes, as with war goddesses found in imperial patriarchies like Rome (see Bellona). 

Beauty is the quality most commonly associated with goddesses. 

The beauty of some goddesses reflects their status as divinities of earth and represents the idea of natures loveliness. 

One such is the Tantric Bhuvanesvarı (see India), described as so beautiful that the god Shiva made himself a third eye, the better to enjoy her. 

At other times, beauty is connected with sovereignty. 

Queenly figures are flatteringly described as beautiful. 

Thus the Queen of Sheba, Bilqis (see Eastern Mediterranean) was described as possessing great beauty, although she was also said to have had the legs of a goat. 

Hera, Greek goddess of womens power, was renowned for her beauty, as was the Irish warrior queen Medb (see Celtic), who represented sovereignty over the land as well as womens sexuality. 

The Celtic goddess who appeared variously as Grainne, Iseult, and Gueneviere embodied the lands need for a vigorous king, with the ‘‘love triangle of their stories describing the replacement of an aging ruler with a younger one. 

Not surprisingly, beauty is often (although not invariably) connected with love. 

Such love could be generic, as with Greek Aphrodite or African Oshun, whose power infused the world of animals as well as humans. 

Other goddesses embody divine love, such as Indian Parvatı whose beauty was reserved for her consort Shiva. 

Finally, a goddesss desire could be directed only toward humans, as with Celtic Niamh, who sought lovers among human men, or the group of Indian spirits called Yaks˛ı who have sex with human men before eating them. 

More positively, Lakota Whope (see North America) formed the pattern of beauty after which human women were designed, so that they might attract vigorous mates. 

Love goddesses are not always benevolent. 

Many narratives emphasize betrayal and heartbreak (Celtic Bloduewedd and Deirdre, Hebrew Naamah, Greek Sirens). 

Although a beautiful goddess can be heartless, loyal lovers such as Indian Radha and Hebrew Sarah are found in mythology alongside destructive seducers like the Celtic Leanann Sidhe and Hebrew Lilith. 

Additionally, some myths warn of the difficulties that beauty can bring, as with Hindu Manasa (see India), whose beauty attracted the god Shiva, leading to her mutilation at his wifes hands. 

Unlike beauty, wisdom is not today necessarily connected with the archetypal femi nine. 

But in many cultures, goddesses were associated with this quality, which refers to a right ordering of society that aligns it with natural law. 

Thus Greek Athena and Metis, Roman Egeria and Providentia, and Hebrew Hokmah all connected the human world with nature through wise counsel. 

In some cases, as with Scandinavian Voluspa and Greek Python, wisdom was conveyed through oracular practices inspired by an all-seeing earth goddess. 

Roman Egeria pronounced the first laws of the city-state while in an oracular trance. 

In Ireland (see Celtic), goddesses of wisdom such as Boand gained knowledge through eating nuts that fall from a magical tree that con nects underworld, middle earth, and sky; thus their wisdom encompassed the universe. 

In most of these Irish narratives, the woman was specifically forbidden from seeking wisdom, but her decision to break that prohibition results in world-creating acts. 

Goddesses of justice, often pictured as mature or even elderly women, control the orderly structure of society. 

Thus Greek Themis, on whom oaths were sworn, repre sented the just underpinnings of civilization. 

Similarly, Hebrew Torah represented ‘‘the law that controlled and defined appropriate human behavior. 

The domain of Egyptian Maat (see Africa) extended beyond death, for she judged the souls right eousness. 

The Iroquois heroine Genetaska (see North America) brought justice and peace to her people. 

Some goddesses of justice were also goddesses of vengeance, demanding retribution for wrongdoing, as did Greek Erinyes and Nemesis. 

Goddesses also represent scholarship and learning. 

Because most societies have been oral rather than literate, such goddesses were associated with the transmission of wisdom through speech and stories (Scandinavian Saga and Edda, Indian Vac). 

The connection between memory, including historical memory, and the creation of art was emphasized in the Greek belief that Mnemosyne, goddess of memory, was mother to the Musae, goddesses of art. 

Goddesses like the Eastern Mediterranean Nisaba represented both the act of writing and the priestesses who employed it. 

Finally, one of the most common powers ascribed to goddesses is control over destiny. 

Individual fate goddesses are connected with midwifery. 

Such divinities as Baltic Laime˙, Egyptian Hathor, Slavic Dolya and Orisnitsi, and Finno-Ugric Madder-Akka appeared at a childs birth and predict its future life. 

Fate goddesses could be ancestral spirits (see Scandinavian Dıs) because heredity is one determinant of fate. 

Fate goddesses measured a persons life, like Hittite Wurusemu (see Eastern Mediterranean) or Greek Lachesis (see Moirae). 

Other fate goddesses, like the Roman Camenae and Carmenta who lived in springs, were associated with especially hal lowed places. 

Goddess Aja





    Aja is a West African woodland goddess




    • Her disciples learn herb knowledge from her, guaranteeing their bodily and spiritual well-being.




    Aja, Herbs, And Ritual Offerings


    When supernatural entities accept or reject ceremonial offerings, Osun and the Aje play a significant role. 


    When acknowledged, they strengthen and support herbal remedies; if not, they undermine their effectiveness and that of the ceremonial components. 

    Animals like ign (vultures) and aja (dogs), who eat the sacrificial sacrifices, are inspired by Aje. Consequently, they are revered by the babalawo and Eleerindınlogun

     Additionally, Chief Mrs. Elsoj made it clear that due to their close connection to and involvement with Osun, the Aje's leader, the Eleerindınlogun, herbs and roots are easily accessible to them as a result. 

    So, unlike diviners in other systems who must first pay particular devotion to the Aje in order for the elements to be effective, they are given the ability to employ ritual and herbal components at whim. 

    Before extracting herbs or roots for ritual preparation, they chant a number of praises to the Iyami and ask for their assistance. 

    The standing of Aje and Osun among them is agreed upon by every single one of my sources. 

    In the words of Ifa priest of Babalawo Oyegbad, this is summarized: 

    Aje, often referred to as Iyami, are strong as such that the cosmos has been entrusted to their protection by Olodumare. 

    They now have control and authority over its business thanks to him. The cosmos is firmly held together by them. They continue to keep the planet in order. 

    Osun is not only one of them; she is also their leader. In addition, Osun's function is essential in restoring harmony to any tense relationship. 

    Osun's standing among the spiritual beings explains why her influence over ritual procedures is crucial to the deity's plan for resolving disputes and crises. 

    The effectiveness of the ceremonial sacrifices suggested by diviners may be achieved by communication with all spiritual beings.

    Therefore, it is said that Osun, the head of the Aje, has the mystic ability to restrain or remove the violent acts of other deities as well as human potential and prosperity.



    Legends, Belief And Folklore Associated with Goddess Aja.




    Aja is an Orisha in Yoruba mythology, patron of the forest, its animals, and herbal healers, whom she taught their craft. 


    • Aja may also refer to a "wild wind" in Yoruba. 
    • If someone gets taken away by aja and later returns, it is said that he would become a strong "jujuman" (or babalawo). 
      • The voyage is said to last anywhere from 7 to 3 months, and the individual who is carried is said to have gone to the country of the dead or heaven (Orun)."  




    • She is a botanist who knows all there is to know about plants and is a master of potions and healing herbs. She taught this art to the Yoruba people, who continue to perform it now. 

    In Yoruba folklore and consequently in Santerian religious practice, Aja is a great healer





    • She is considered to be the spirit who taught all other healers how to do their jobs. 
    • She is a strong Orisha, and it is said that if she takes you away but lets you return after a few days, you will be bestowed with her magical abilities
    • A. B. Ellis said in Yoruba-Speaking Peoples of the Slave Coast of West Africa, published in 1894, that

      "Aja, whose name seems to mean "wild vine," whisks strangers away into the woods and educates them about the therapeutic powers of plants, but she never hurts them. 

    Aja is humanoid in appearance, although she is short, standing between one and two feet tall. 

    Women utilize the aja vine to treat enflamed breasts."  


    Aja is one of the most elusive Earth Gods and Goddesses since she chooses to show herself to humanity rather than hurt or fear them.






    Worshiping Aja is much rarer in the West, but it shouldn't matter since Aja symbolizes a global value of environmental care and preservation, regardless of religion or spiritual calling.

    Aja safeguards the woods, which are home to trees that provide oxygen and filter the air and water for all living creatures. 

    There would be more carbon dioxide in the atmosphere if trees were not safeguarding humans, and there would be no barrier to limit the speed of an already fast changing climate.


    Among the Nigerian Goddesses and Gods, Orisha is immensely popular. 



    Goddess Aja is the spirit of the forest and the animals that live there, as well as domestic healers

    Goddess Aja much like Goddess Diana of Europe  and Goddess Korravai of India is a woodland goddess, and also a goddess of animals.

    Goddess Aja always teaches us understanding empathy for the natural world, and a well-balanced empathy is the preventive strategy that prevents environmental degradation, destruction, and ecological anguish. 

    Thus Goddess Aja and Her true healing begins to unfold naturally and inevitably.











    Frequently Asked Questions:



    Who Is Goddess Aja?


    Aja is an Orisha, a spirit that inhabits the forest and its creatures, as well as herbal healers. She would search her woodlands for medical plants and combine the herbs, roots, and other plant components to develop treatments for the ill.


    Who is Africa's most powerful goddess?


    In Yoruba religion, Oshun is known as the river orisha, or goddess, and is linked with water, cleanliness, fertility, love, and sensuality. She is one of the most powerful orishas, yet she, like other gods, exhibits human characteristics including vanity, envy, and spite.


    What is the name of the African healer goddess?


    In Yoruba folklore and consequently in Santerian religious practice, Aja is a great healer. She is considered to be the spirit who taught all other healers how to do their jobs. She is a strong Orisha, and it is said that if she takes you away but lets you return after a few days, you will be bestowed with her magical abilities.


    What is the name of the African nature goddess?


    Asase Yaa is regarded as Mother Earth, the earth goddess of fertility, and the upholder of truth by the Akan people of West Africa.


    Which dark goddess is the most powerful?


    She's one of the most well-known and revered Orishas. Among the Yorùbá people, Oshun is a significant river god. Divinity, femininity, fertility, beauty, and love are all goddesses to her. She has a link to fate and divination.


    What are the seven African superpowers?


    Initiation into the Seven African Powers is another frequent initiation (Elegua, Obatala, Oggun, Chango, Yemaya, Oshun, and Orunmilla). Babalu-Aye is often substituted for Orunmilla by Cuban devotees. The Seven African Powers have been merged into a single eleke.


    What exactly are orisha?


    orisha, often written orixa or orisa, is a Yoruba deity who lives in southern Nigeria. The Edo of southern Nigeria, the Ewe of Ghana, Benin, and Togo, and the Fon of Benin all worship them (who refer to them as voduns).


    What is the maximum number of orishas you can have?


    According to Yoruba culture, there are 400 + 1 orisha, which is considered a holy number. According to some reports, the number is "as many as you can conceive of plus one more - an infinite number." Depending to the oral tradition, there are 400, 700, or 1,440 orisha.


    References And Further Reading:



    • Morton-Williams, Peter. “The Yoruba Ogboni Cult in [Uppercase Letter O with Vertical Line below]y[Lowercase Letter o with Vertical Line Below].” Africa: Journal of the International African Institute 30, no. 4 (1960): 362–74. https://doi.org/10.2307/1157598.
    • Dennett, R. E. “How the Yoruba Count (Continued).” Journal of the Royal African Society 17, no. 65 (1917): 60–71. http://www.jstor.org/stable/715685.

    • Drewal, Henry John, John Pemberton, and Rowland Abiodun. “Yoruba: Nine Centuries of African Art and Thought.” African Arts 23, no. 1 (1989): 68–104. https://doi.org/10.2307/3336802.
    • Yai, Ọlabiyi Babalọla. “In Praise of Metonymy: The Concepts of ‘Tradition’ and ‘Creativity’ in the Transmission of Yoruba Artistry over Time and Space.” Research in African Literatures 24, no. 4 (1993): 29–37. http://www.jstor.org/stable/3820251.
    • Matory, J. Lorand. “Rival Empires: Islam and the Religions of Spirit Possession among the Ọ̀yọ́-Yorùbá.” American Ethnologist 21, no. 3 (1994): 495–515. http://www.jstor.org/stable/645918.
    • Akínyemí, Akíntúndé. “Yorùbá Oral Literature: A Source of Indigenous Education for Children.” Journal of African Cultural Studies 16, no. 2 (2003): 161–79. http://www.jstor.org/stable/3559467.
    • Falen, Douglas J. “Vodún, Spiritual Insecurity, and Religious Importation in Benin.” Journal of Religion in Africa 46, no. 4 (2016): 453–83. http://www.jstor.org/stable/26358824.



    Goddess Uzume

     



    Uzume: The goddess of laughter in Japan.

    Uzume, the goddess of happiness and femininity, is a full-figured goddess.

    She is the personification of energy in motion, and she is the source of light and hope.

    When Amaterasu hides herself in a cave, it is Uzume who tempts her out with a lewd, comical dance.

    She considers bells and dancing to be holy.


    ~Kiran Atma